Thursday, January 9, 2014

Catching Up With: Thomas John Cadrin at Big Jay Tavern

I first ran into Tom when we shared a gig together at The 9 Songwriters night in Harvard Square. I was really blown away by his excellent playing, truly solid voice, and endearing, but confident stage presence. Turns out that endearing confidence has lead him to wear another hat in booking the talent for a new venue in the great white north in Vermont at Jay Peak. Now, I don't know if you all know about these "apres-ski" type gigs, but from what I have found is that they are usually pretty damn awesome. Put that all together with a really comfortable and inviting listening room, great food, and a place to crash and you have a killer stop on a tour or a reason to head to the mountains for the weekend! I caught up with Tom to talk about life outside of the city, the new venue and how you can get your foot in the door!


 
1)      First and foremost, who are you? For those readers who may not know, what is your connection to the Boston Music Community?
  • My name is Thomas John Cadrin, I’m a musician, writer, talent buyer/booker @ Big Jay Tavern and spent the last 5 years in and out of the Boston music scene. As a performer, my stylings lend definition closest to percussive jazz & folk, but lately I have been deploying elements of theater to create a larger experience as a solo-acoustic act on stage. 
2)      You’ve packed up your things to brave the great white north and are now booking a great new room on Jay Peak. Tell us about the room, the vibe, the types of acts that you are currently bringing in to the venue?
  • I book Big Jay Tavern, a restaurant/music venue located just below Jay Peak Resort, in Montgomery, Vermont. To be completely honest, the room, the people who own it, and the patrons who seek music & refuge there are all genuine and straight forward people. The musical community in Vermont is exceptionally accepting and open to pretty much anything. Having gone to college @ St. Michael’s, which is just outside Burlington, VT, I’m happy to be back amongst such open-mindedness. My intention is to stretch the good vibes and top notch entertainment from Boston, through Burlington, up to BJT. I mostly looking to book smaller acoustic based acts. As I’m sure is the understood stereotype of Vermont, jam bands are a dime-a-dozen, and there are plenty of places who showcase those sorts of bands. BJT is more geared toward acoustic, single to trio sized bands. 

3)      I think the most important thing about this new room is it gives a lot of folks from the city a place to go play with a fellow musician doing the booking. Have you found it easy to find acts to make the trek?
  • At first it was a bit dizzying trying to get people to come up. From Boston, Montgomery is about a 4 hour trek, give or take. That alone is a difficult pill to swallow when I tell them we’re a tips based venue. But, BJT is located directly below a very heavily trafficked ski resort that holds just over 5,000 people. People come from all over the northeast to ski here and because BJT is a brand new spot, the buzz about what we do and the caliber of our food & talent is unparalleled around here. As a musician who as toured through “donation based venues” in the past, I make sure to “pass the hat” a few times throughout each artist’s set, which has resulted in an average of $100 per evening. Our food is top notch and comparable to anything down in Boston (the owner’s used to own Cognac Bistro in Brookline & Kouzina in Newton), which is something I’m very familiar with having served tables at some high-end places in town over the last 3 years.
Really, Big Jay Tavern is an ideal spot for artists who are on their way through Vermont - maybe playing Higher Ground, Signal Kitchen, ArtsRiot , Radio Bean or any other spot in Burlington - and a need a easy place to crash & recuperate. We are able to feed & house people for free. This alone is a huge benefit for touring artists. 
Beyond the money, coming up into the middle of nowhere-Vermont is good for the soul. I recommend getting up here during the daylight to see the mountains and feel the solitude. There’s hardly any cell service and wifi is hard to come by. So, getting out of the city, out of one’s comfort zone & to be completely removed is pretty much the whole idea. It’s like a mini vacation. Couple the vacation with the possibility of spreading one’s notoriety into a transient community is a very good thing, because then anyone who sees you will take your music back home - which could be anywhere - and the result is a quick explosion of influence. At the end of the day, this is what we all want - to spread music and the love of it as far and wide as possible. 

4)      If folks wanted to come play the room, how would they go about it? What kind of acts are you looking for? Spill the details.
  • If anyone wants to come play, we book 4 days a week, Wednesday - Saturday, and welcome smaller, acoustic based acts. Shoot an email to bigjaytavern@gmail.com with music links, etc. 
5)      Before moving, you were well rooted in some of the local music scene here. What do you think is special about the Boston community and how it may (or may not) foster growth for acts or a community/family kind of a vibe?
  • Boston is a beautiful town and I’m happy to have spent the past five years in and out of it. The close knit community and family feel to the whole place certainly has many advantages and disadvantages all the same. By moving up north, I’m striving to extend this local community feel from Boston, up through Burlington and have it land @ BJT. From here, Montreal is only over an hour away and Portland, ME, though a trek, is well worth the drive. Vermont has a musical community an appreciation that I’ve found unparalleled anywhere else. There are so many small shops, restaurants & venues to be played and gain followers at, that if you can make it happen, a whole tour could be booked throughout the state.  But, we live with our connections and our families where ever we go. Even if I move to Portland, Oregon, I’d strive to carry along this community feel across the country.
6)      Ok, now is your chance for shameless self promotion, plugs, or anything else you may wish to convey to the admiring public…GO!
  • I’ve been blessed so far to all ready have booked some very well known and fantastically talented artists at Big Jay Tavern. Ryan Montbleau stopped by and played a solo-acoustic set on New Year’s Eve. Just this past week, we had Caroline Rose, a Burlington based up-and-comer who will be touring all over the country this year. I will actually be opening for her on January 19th @ Club Passim in Harvard Square (tickets! http://bit.ly/Jan19-Passim). Zac Clark, another great friend of mine, graced our stage twice this season with his fantastic booty shaking piano-pop before he headed back to LA. And coming up, we’ve got a whole horde of Boston based artists scheduled to play including Hayley Sabella, The Surviving Kenneallys, Julia Mark, Ricky Duran, Jeremy Mendicino (of Pretty & Nice), Jesse Hanson & many more!  
  • We’re all over facebook, twitter & instagram so follow along @bigjaytavern. So, if you’re the skiing sort or just want to get away, I highly recommend getting up here this season. We’ve got shot-ski’s (check it: http://bit.ly/SloMoShotSki) and have all ready put two whole pigs through our outdoor rotisserie (boo-ya: http://bit.ly/BJTRotisserie)! With Vermont local brews like Switchback, Trout River & the occasional Heady Topper, you be happy you stopped by.

Wednesday, January 8, 2014

Joe Walsh "Sweet Loam" album review

Last evening I was graced with the extreme pleasure of sharing the stage with mandolinist Joe Walsh. While my duo partner and I were backstage warming our hands and tuning up, I had the absolute joy of picking out a few tunes with him, which (as often happens in this circle of musical folks) led to Joe sitting in for a few tunes during our set at my favorite local spot. To make things even better, I got to sit and watch him play with the real reason he was there, The Coloradas. In talking backstage we spoke about the music writing thing and a joke about tossing a 50 in a CD case for a review. Today I had the urge to check out Joe's second solo debut and I have to say, that I should be the one forking over an extra 50 bucks to him, because this album is simply marvelous.



It's extremely evident, right off of the bat, how much thought and dedication went into these arrangements yet the record is exceptionally listenable and has a sublime texture to the sound throughout the 11 tracks. There are a lot of parts on many of the songs, yet it is very obvious that this is a mandolin virtuoso's solo effort. The instrument manages to really shine through the mix and take center stage even when playing harmony or rhythm parts. The lines that Joe plays throughout are light, airy and really just float over the rest of the arrangement. Truly memorable and remarkable.

With takes on standards like "Mole in the Ground" and Dylan's "I Shall Be Released" an entirely new life and depth is breathed into the songs. The playing is incredibly thoughtful in these tributes to the past. A testament to how great music can be when a group of fantastic musicians pay homage to what came before them. Everything from every solo and note to the white space in between is exquisitely refined and each player complements the other perfectly.

"Emily's Welcome to Portland" is a great story song stretched over those aforementioned incredible arrangements. Proving this this man's talent doesn't simply end at his instrument and paints him as a really great songwriter. This one had me smiling all the way through.

Fortunately for us as listeners, we also get a hefty dose of original compositions from Walsh in this collection. With the obvious bluegrass and celtic influence, instrumental songs such as "Bob's Bucket" and "Sunday Morning Reel" are true standouts on the record (well, actually all the songs are rather "stand out" in my opinion). Walsh's mandolin again takes flight for clean lines and a few head turning fills while the rest of the band really keeps the pace and lays the ground work for Joe to paint his craft all over a really beautiful canvas of sound.




Walsh's vocal is acutely approachable and rather pleasing to the ears. The entire feel of the record is very warm, inviting, and comfortable. I just feel good listening to this work. This record is a wonderful trip through the bluegrass landscape touching on fiddle tune type arrangements, contemporary takes on traditional tunes, and truly incredible performances of wonderful original songs. A must buy for any fan of the folk/bluegrass fusion genre.

Joe's record "Sweet Loam" is available on bandcamp at: http://joewalsh.bandcamp.com/

Or check out him online for dates, bio, and all the goodness at:  http://skinnyelephantmusic.com/

Show You Should Know: Club Passim's BCM Festival

Official Release Information Below:

 

Passim’s Eleventh Annual BCMFest (Boston’s Celtic Music Fest)
Brings Harvard Square Alive January 10 and 11

(Cambridge, MA; December 19, 2013) -Celebrating the Boston area's abundance of Irish, Scottish, Cape Breton and other Celtic-related music and dance traditions, BCMFest (Boston's Celtic Music Fest) begins its second decade on January 10 and 11, 2014.  A program of Passim, the Eleventh Annual BCMFest will bring together dozens of the best local musicians, singers and dancers to three locations for dozens of performances as well as participatory music and dance events right in the heart of Harvard Square

Marking the start of the Harvard Square Business Association’s Winter Carnival, Passim’s BCMFest is family-friendly and genuinely grassroots.  The festival kicks-off Friday, January 10 with the "Roots and Branches" concert featuring three cutting-edge acts at Club Passim.  

Around the corner, BCMFest’s popular Celtic dance party, Boston’s Urban Ceilidh will take over The Atrium at 50 Church Street. Boston's premier Celtic musicians play high-energy Celtic dance music from Ireland, Scotland and Cape Breton with the dance floor filled with beginners and veterans alike.

Passim’s BCMFest continues Saturday, January 11, when Boston’s best Celtic musicians, singers and dancers join together for Dayfest.  Starting in the morning with songs, storytelling and other family entertainment, continues all day with four stages of exciting performances, participatory dance and jam sessions at Club Passim, and First Parish Church, Cambridge. 


 Passim’s BCMFest concludes Saturday with the “BCMFest Nightcap” concert at First Parish Church. The BCMFest finale concert will celebrate Celtic dance traditions, and the music linked to them, featuring solo, duet and group dances from Ireland, Scotland and Cape Breton. An all-star house band will accompany a troupe of some of the most accomplished dancers from the Greater Boston area.” The finale concert will be produced by Jackie O’Riley and Rebecca McGowan, and emceed by Brian O’Donovan, radio host of WGBH-FM’s “A Celtic Sojourn.”

“At the core of what Passim does is to continually seek to build a vibrant music community through the club, music school, Iguana Fund artist grant program, outreach initiative and programs like BCMFest,” said Dan Hogan, Executive Director of Passim. “BCMFest ultimately brings together a music community across generations and different musical backgrounds and traditions.”

Club Passim also plays host to BCMFest Sessions on the second Monday of every month. The sessions spotlight local Celtic musicians and singers. BCMFest organizes the Celtic Music Cruise and Boston Urban Ceilidh.

For tickets and further details, visit http://passim.org/BCMFest


About Passim:
The mission of Passim is to provide truly exceptional and interactive live musical experiences for both performers and audiences, to nurture artists at all stages of their career, and to build a vibrant music community. We do so through our legendary listening venue, music school, artist grants and outreach programs. As a nonprofit since 1994, Passim carries on the heritage of our predecessors-the historic Club 47 (1958-1968) and for-profit Passim (1969-1994). We cultivate a diverse mix of musical traditions, where the emphasis is on the relationship between performers and audience and teachers and students. Located in Harvard Square, Passim serves Cambridge and the broader region by featuring local, national and international artists. Our ultimate goal is to help the performance arts flourish and thereby enrich the lives of members of our community.

Monday, January 6, 2014

Catching Up With: Little War Twins



I had my first encounter with the band Little War Twins 2 years back when I was doing sound at Charlie's Kitchen for the New England Americana Festival...that first encounter left quite a mark on me. Intensely energetic performances from the entire band really made the crowd electric and amp up the energy for the venue. The band has since thinned a bit, and I recently caught up with them to answer a few questions about what they are up to, their new mixtape (to be reviewed later on this week), and all things rock n' roll.



1) So tell the readers a little bit about Little War Twins. What kind of music would you say you play? What can folks expect at a show?

We usually define our music as: Rock/Soul/ Mystic duo. There is also a sprinkle of punk, marinated in electronics and we have also been called "spirit rock". As for our live performance, people say there is a sense of urgency, passion and electric energy. A recent addition to our shows are large scale projections of videos we have created, as well as videos from the artist Alex Carlbon. 

2) A few years back you played the New England Americana Festival and I suppose you would characterize your home as being a "Boston based band", yeah? How have you found the community in the local music scene? Any thoughts on what it does well? Any thoughts on how it could improve?

We definitely grew our roots in Boston. There is always a very engaging and interesting music community in Boston. It is also very transient- always changing with the college season. Despite that, we have found some truly amazing bands that we regularly play with. In terms of improvement, if the venues/public transit could stay open later that would certainly be great. Most importantly: More Free Shows!!! 

3) To piggy back off of that, are there any bands or artists from the area that you would like to collaborate with? Anyone you are particularly interested in melding your craft with theirs?

Oh yeah! We would love to collaborate with Amanda Palmer, Walter Sicket and the Army of Broken Toys, Bent Knee, Licious, The Stampede, Perhaps, Solo Sexx...there's a lot of great talent in Boston.

4) Why is making music and performing important to you?

Gaetana: I have always said that I create music to inspire people to inspire themselves. For me it is about a message, free expression and finding a community through art.

Trick:  Each show I play I get a free jar of Nutella. 

5) You have a new mixtape that you have graciously allowed me to give a listen to. Give us the lowdown on that project and where it came from.

Well, it came from our nine month tour of the US. We started as a five piece band in 2011, and when we decided to go on tour, things changed. We want our sound to reflect our live performance and our existence as a two piece. The mix tape has live performances, studio cuts, singles from our EP and a couple extra goodies.



6) Now is the time for shameless self promotion. Plug anything you would like the readers to know about over the next few weeks/months/or year!

Gaetana:
Check out our free mix tape on www.littlewartwins.com and stream our music on Sound Cloud. We are planning another national tour starting in the southwest  and then looping to the northeast in the spring of 2014.  We are recording our first full length album featuring collaborations with local acts and national acts that we have met on the road. So stay tuned to our facebook, twitter, instagram and tumblr to find out what's happening!

Patrick: These cats have some upcoming shows in the Boston Area so...

go catch Arms and Ears' next show and listen to their stuff on bandcamp.
and
Have you heard Bent Knee yet?  What's the problem?  

Friday, January 3, 2014

Cover Your Friends Friday : Brown Bird edition

Hey, I suppose its my own fault for not really pushing the crowd for more cover videos, so I decided to just push this gig (and these two videos) for Cover Your Friends Friday instead.

This coming Monday (January 6th) is the Brown Bird Cover Night at Club Passim to help benefit Dave Lamb. Brown Bird has been a staple in what is right with the Northeast music scene for years. This Monday, a host of their peers, friends and admirers will gather to pay tribute to the band that has given us so much over time. You can still buy tickets at the link below and going to this show means you will see 14....yes FOURTEEN...different musicians/songwriters/acts pay tribute to the band that they hold so dear to their heart. Those 14 acts are Ian Fitzgerald, The Low Anthem, Jonah Tolchin, Dan Blakeslee, Audrey Ryan, Vudu Sister, James Maple, Patrick Coman, Haunt the House, Allysen Callery, Brian Carroll, Jenee Halstead, Chadley Kolb, and Eric Lichter.

http://tickets.passim.org/ordertickets.asp?p=3691&backurl=default.asp

Two of those artists, without prompt, went and made videos of Brown Bird tunes ahead of time for your enjoyment. Patrick Coman and Br...well, me. I did too.


Patrick Coman "Ebb and Flow" (brown bird cover)




 www.patrickcoman.com 

 
Brian Carroll "Danger and Dread" (brown bird cover)



www.briancarrollmusic.com

Thursday, January 2, 2014

Club Passim Iguana Grant Recording Project Update 2 - Artists and Video

Hey there friends and Happy New Year!

Since Passim has made its announcements around its yearly Iguana Grant just over 2 weeks back, a lot of progress has already been made on our little project here at Red Line Roots.

For starters, if you didn't already know we will be recording with the able hands and ears of Andrew Kramer and Sam Margolis at Riverview Studios in Waltham, MA. Our first lock out session date is already set for February 2 and we are super stoked to get the wheels a turning on this project!

Second, we have the great folks at Idlewilde Creations joining us in studio to document the process of the recording and doing some Q&A sessions with the artists who are involved! Soon after we should have some material for you all to check out from our time in the studio. Very excited for this piece of the puzzle and to be able to bring people into the studio with us.

Third, we plan on recording 10 total tracks for this project. As of right now, we have 7 confirmed acts, all of which I am truly excited to have involved with this project. And that line-up is...

-Mark Whitaker
-Eva Walsh
-Ian Fitzgerald and Courtney Gallagher
-Ryan Fitzsimmons and Laurence Scudder
-Jenee Halstead and Danielle Miraglia
-Dan Blakeslee
-Chuck Melchin, Michael Spaly, and "friends"

I think this will be a great collection of re-imagined songs by some of these folks' favorite local songwriters. I hope you all will enjoy this as much as I am enjoying putting it together!

Guest Writer - Kier Byrnes : Jeff Byrd and Dirty Finch "Draggin Bones" review

Another installment of our guest writer Mr. Kier Byrnes. Today we have a throw back to an old one by Rhode Island's sweethearts, Jeff Byrd and Dirty Finch.




JEFF BYRD & DIRTY FINCH – Draggin Bones




This Rhode Island based alt-country quartet have an impressive debut in Draggin Bones.  Their descriptive vocals, twangy sound and emotive performances remind me between a cross of Travelling Wilburys, Ryan Adams and NRBQ. Frontman, Jeff Byrd has a terrific line up with Dan Simpson, Steve Del Tufo and Shawn O’Brien. The group hasd real chemistry and it shows, especially on songs like “To Be Within/Without” and “Something So Beautiful.”  Its bar room rock at its finest. These guys do a lot of touring fortunately and should be back here in Boston soon.






www.jeffbyrddirtyfinch.com

If you feel so inclined, go check out my review of JBDFs most recent release "Jumped That Train" from earlier this year as well here