I, myself, have been at Ten Gartland Street a number of
times and the echoes of instruments from every room seem to ring through the
house. I like how the liner notes say “All tunes written by Amy Alvey at Ten
Gartland Street…”. Really makes it quite personal, and quite frankly, that’s what
music is supposed to be. A personal depiction of something that you share with
others to relate to and enjoy.
“Christine/Big Ten” starts off a sparse arrangement and has a very distant, "cold woods in December" kind of feel to it. It slowly builds and is a really adventure through the track. I really love when an instrumental tune does that for me. It goes from a wander through the snow laden oak trees to a wintery thrill ride on a horse drawn carriage (or something to that extent). The production value is great. Not overdone, not too raw, just right.
“Ask John”, is another quiet track with a Alvey’s faint
fiddle pulls in the back, Lukas Pool’s banjo over the top, and then the fiddle
takes over. I think the key to a really great fiddle tune is a repetitive and
pleasant melody with interspersed sections of really great improvised playing
and interesting diversions from that main melody. Alvey nails that formula on this tune.
“Smokey in the Kitchen” has clogging in it…yes, clogging,
awesome, excellent! In that respect, the song pays homage to its (perhaps)
celtic roots? I can picture folks sitting around a table in an old Irish pub
with young lasses dancing and tapping their shoes to the beat. Very visceral
and engaging track indeed.
I love when a musician takes on a traditional tune and Amy
does just that with the tune “Troubles”. Her voice stands out in the mix, again
strong and clear. The build of the instruments is really great and captures the
vibe of the tune. In a world of crappy pop and paparazzi it’s nice to see folks
paying homage to the great music that came before and acknowledging our roots.
Alvey has a simple, but solid vocal that lies in the
folk/bluegrass realm. It really lends itself to be coupled with some great
harmonies from picker/grinner/singer Mark Kilianski. The two play off each
other effortlessly and their voices meld to create a beautiful, harmonious and uncomplicated
quality. It’s very comforting and warm. The instrumental arrangements are
familiar enough to grasp any audience (as far as instrument choices) but they
certainly have a unique flair that makes them interesting and keeps the
listener hanging on til the bitter end. Over all, the 7 tracks are full of intelligent
and bright arrangements, some really on-point singing, and it’s clear that this
young lady surrounds herself with like-minded and equally talented friends.
Alvey’s voice fits perfect in the folk-bluegrass genre and her fiddle playing
dances that line between pitch perfect and emotion-filled robustness.
Check out Amy’s record Big Ten on bandcamp at: http://amyalvey.bandcamp.com/album/big-ten
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